Press

Oct 2, 2008, Žilina

P. Bagin: Symfonietta slovacca, M. Ravel: Le tombeau de Couperin, W. A. Mozart: Violin Concerto in G major KV 216, C. Saint-Saens: Violoncello Concerto No. 1 in A minor, Op. 33

Slovak Sinfonietta Žilina, Silvia Hessová, violin, Petr Nouzovský, violoncello

“Martin Leginus led the orchestra with a precise gesture. Ravels’s suite Le tombeau de Couperin offered to the conductor and the ensemble more space for creativity and fantasy. Leginus intelligently applied amount of imagination besides the “academic” technique. His interpretation gave to the archaistic parts of the suite particular sensuality, but without the change of composer’s intention.”

Lýdia Dohnalová, in: Hudobný život 11/2008


Oct 2, 2008, Žilina

P. Bagin: Symfonietta slovacca, M. Ravel: Le tombeau de Couperin, W. A. Mozart: Violin Concerto in G major KV 216, C. Saint-Saens: Violoncello Concerto No. 1 in A minor, Op. 33

Slovak Sinfonietta Žilina, Silvia Hessová, violin, Petr Nouzovský, violoncello

“Martin Leginus led the orchestra with a precise gesture. Ravels’s suite Le tombeau de Couperin offered to the conductor and the ensemble more space for creativity and fantasy. Leginus intelligently applied amount of imagination besides the “academic” technique. His interpretation gave to the archaistic parts of the suite particular sensuality, but without the change of composer’s intention.”

Lýdia Dohnalová, in: Hudobný život 11/2008