Press
- Norman Lebrecht, August 23, 2024, SlippedDisc
- 21.6.2024 Madama Butterfly
- 14.3.2024 Puccini Gala
- september 2023 FORBES
- 24.2. 2023 Eugen Suchoň - Svätopluk
- 24.2. 2023 Suchoň - Svätopluk
- 14.10.2022 - Antonín Dvořák - Rusalka - premiere, Poznań, Poland
- 14.10.2022 - Dvořák - Rusalka, premiere in Poznań, Poland
- 14.10.2022 - Rusalka in Poznań
- 14.10.2022 - Antonín Dvořák - Rusalka, Poznań, Poland
- 10.6.2021 Mozart Gala with Jana Kurucová
- 7.1.2021 Slovak Philharmonic, From the New World Symphony
- 13.2.2020 - Verdi Gala with Dalibor Jenis
- 19.10.2018 Don Carlo in Bratislava
- 19.10.2018 Verdi - Don Carlo
- 9.11.2018 Franz Schmidt - Symphony No.3
- 9.11.2018 concert of the Slovak Radio Orchestra
- 27.10. 2017 - premiere of Verdi´s Falstaff
- 27.10.2017 - Falstaff
- 27.10.2017 G.Verdi - Falstaff, State Theatre Košice, Slovakia
- 27.10.2017 - Verdi´s Falstaff
- 20.5. and 22.5. 2016 Verdi - Simone Boccanegra
- 20.5. 2016 Boccanegra in Bratislava
- 20.3.2016 Madama Butterfly in Prague
- 9.2.2016 new production of Butterfly in Prague
- 29.1.2015 Jose Cura - Otello in State Opera Prague
- 23.4.2015 the new production of Hänsel und Gretel
- 14.5. 2014 - Puccini - La rondine
- 14.5. 2014 Puccini - La rondine,
- 28.06.2012 G.Verdi - I due Foscari
- 28.06.2012 Leo Nucci in Bratislava
- Oct 22 & 23, 2010, SND Bratislava
- Oct 22, 2009, Košice
- 7. 5. 2009, Žilina
- 2. 10. 2008, Žilina
- 19. a 20. 9. 2008, SND Bratislava
- 3. 4. 2008, Žilina
A.Dvořák – Rusalka, the new production of Karolina Sofulak, The Grand Theatre of Stanislaw Moniuszko in Poznaň, Poland
The Slovak conductor led the ensemble with great discipline, taking care to harmonise the rhythmic sections and with great expressive power, a great feeling for Dvořákian phrasing, with a Verdian, "non-Slavic" and therefore dramatic touch.
Tomasz Pasternak / orfeo.com.pl /22.10.2022
A.Dvořák – Rusalka, the new production of Karolina Sofulak, The Grand Theatre of Stanislaw Moniuszko in Poznaň, Poland
The Slovak conductor led the ensemble with great discipline, taking care to harmonise the rhythmic sections and with great expressive power, a great feeling for Dvořákian phrasing, with a Verdian, "non-Slavic" and therefore dramatic touch.
Tomasz Pasternak / orfeo.com.pl /22.10.2022